Hennessey IV for sale: The limitation on AM fidelity
The limitation on AM fidelity comes partly from current receiver design, and efforts have been made to improve this, notably the AMAX standards. Moreover, to fit more transmitters on the MW broadcast band in the United States, maximum transmitted audio bandwidth is limited to 10.2 kHz by a National Radio Systems Committee (NRSC) standard adopted by the FCC in June 1989, resulting in a channel occupied bandwidth of 20.4 kHz. The former audio limitation was 15 kHz resulting in a channel occupied bandwidth of 30 kHz.

Clear channel status
In the United States and Canada, some radio stations are granted clear channel status, meaning that few if any other stations have been granted permission to broadcast on or near their frequency. This allows an extended coverage area when skywave propagation takes over at night, starting at or near local sunset. Relatively few stations enjoy clear-channel status; most local MW stations rely on ground-wave coverage only, limiting their target market to their own local area. Non-clear channel stations typically have reduced coverage at night, due to noise and a mish-mash of other stations propagating in via skywave after dark. The area covered by a local station at night without significant skywave interference is known as the nighttime interference-free (NIF) contour, and is typically specified in mV/m (signal strength). The higher the NIF value, the stronger the local signal must be to override nighttime interference, resulting in a smaller coverage area and fewer listeners able to hear the station without interference.Hennessey Audio

Hennessey IV: Magnavox PMX system
In 1980 the FCC chose the Magnavox PMX system as the US standard. The FCC was savagely criticized by the other contenders, and lawsuits erupted. In 1982, the FCC reversed its decision and decided not to enforce a standard but allow multiple systems, to "let the marketplace decide". Meanwhile, other nations adopted AM stereo, many choosing Motorola's C-QUAM. Their choice of a single standard rather than allowing competing standards as the US, resulted in greater acceptance of AM stereo in these markets. In 1993, the FCC made C-QUAM system the US standard.

Globally, the adoption of stereo broadcasting was never great, and declined after 1990. With the continued migration of AM stations away from music to news, sports, and talk formats, receiver manufacturers saw little reason to adopt the more expensive stereo tuners, and thus radio stations have little incentive to upgrade to stereo transmission.

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The first commercial FM broadcasting stations
The first commercial FM broadcasting stations were in the United States, but initially they were primarily used to simulcast their AM sister stations, to broadcast lush orchestral music for stores and offices, to broadcast classical music to an upmarket listenership in urban areas, or for educational programming. By the late 1960s FM had been adopted by fans of "Alternative Rock" music ("A.O.R.—'Album Oriented Rock' Format"), but it wasn't until 1978 that listenership to FM stations exceeded that of AM stations in North America. During the 1980s and 1990s, Top 40 music stations and later even country music stations largely abandoned AM for FM. Today AM is mainly the preserve of talk radio, news, sports, religious programming, ethnic (minority language) broadcasting and some types of minority interest music. This shift has transformed AM into the "alternative band" that FM once was. (Some AM stations have begun to simulcast on, or switch to, FM signals to attract younger listeners and aid reception problems in buildings, during thunderstorms, and near high tension wires. Some of these stations now emphasize their presence on the FM dial.) Hennessey HD1102

Hennessey Audio reviews:Stereo FM in the late 1950s
In the late 1950s, several systems to add stereo to FM radio were considered by the FCC. Included were systems from 14 proponents including Crosley, Halstead, Electrical and Musical Industries, Ltd (EMI), Zenith, and General Electric. The individual systems were evaluated for their strengths and weaknesses during field tests in Uniontown, Pennsylvania using KDKA-FM in Pittsburgh as the originating station. The Crosley system was rejected by the FCC because it degraded the signal-to-noise ratio of the main channel and did not perform well under multipath conditions. In addition, it did not allow for SCA services because of its wide FM subcarrier bandwidth. The Halstead system was rejected due to lack of high frequency stereo separation and reduction in the main channel signal-to-noise ratio. The GE and Zenith systems, so similar that they were considered theoretically identical, were formally approved by the FCC in April 1961 as the standard stereo FM broadcasting method in the United States and later adopted by most other countries.